You’re an art collector, racing to put on a new exhibition! Collect art, meet unexpected characters, and make the big decision: are you ready to reveal your collection?
A family-friendly tabletop game for two or more players.
‘Flowers and Structures Beautiful, Insects Gorgeous’ from Etidorpha
(1901)J. Augustus Knapp
USA. 1853–1938‘The upper window is open,’ said the canary, ‘Fly, fly away’
(1900)Hans Tegner
Denmark. 1853–19327 A.M. (New Year’s Morning)
(c.1930)László Moholy-Nagy
Hungary. 1895–1946A busy neighbourhood, from Le Vingtième siècle: la vie électrique
(1890)Albert Robida
France. 1848–1926A dog’s olfactory bulb, from Sulla fina anatomia degli organi centrali del sistema nervoso
(1885)Camillo Golgi
Italy. 1843–1926À Edgar Poe: L’oeil, comme un ballon bizarre se dirige vers l’infini
(1882)Odilon Redon
France. 1840–1916A Man in the Making
(1922)Victor Coleman Anderson
USA. 1882–1937A Pastoral Visit
(1881)Richard Norris Brooke
USA. 1847–1920A Philosopher Giving that Lecture on the Orrery, in which a Lamp is put in place of the Sun
(1766)Joseph Wright
England. 1734–1797A Rich Kirghiz Huntsman with a Falcon
(1871)Vasily Vereshchagin
Russia. 1842–1904A Sergeant Of The Light Horse
(1920)George Washington Lambert
Australia. 1873–1930Altarpiece No. 1 Group X
(1915)Hilma af Klint
Sweden. 1862–1944Battling Jane
(1919)Eric Rohman
Sweden. 1891–1949Bottlephorkia Spoonifolia
(c.1888)Edward Lear
England. 1812–1888Captain Higuchi, Company Commander in the Sixth Division, from the Series ‘Mirror of Famous Army and Navy Men’
(1895)Kobayashi Kiyochika
Japan. 1847–1915Children of the Solon tribe
(1869–1870)Vasily Vereshchagin
Russia. 1842–1904Chiozza e Turchi, fabricants de savons
(1899)Adolf Hohenstein
Italy. 1854–1928Circular Twilight Glow at Sunrise — Hereroland, Sept 4, 1884
(1884)Eduard Pechuël-Loesche
Germany. 1840–1913Cover, Annual of Roman Catholic Students in the Netherlands
(1930)Jan Toorop
Indonesia. The Netherlands. 1858–1928Eight Shadow Figures
(1842)Utagawa Hiroshige
Japan. 1797–1858Esbjörn at the Study Corner
(1912)Carl Larsson
Sweden. 1853–1919Et Maaltid
(1859)Carl Bloch
Denmark. 1834–1890Euphorie (Selbstporträt)
(1941)Karl Wiener
Austria. 1901–1949Fire! Fire! – A New Yorker’s Nightmare
(1873)Edwin Austin Abbey
USA. 1852–1911Floréal; dessins & coloris nouveaux Pl.01
(1925)Emile-Allain Séguy
France. 1877–1951Frigor, Chocolat Cailler
(1929)Leonetto Cappiello
Italy. 1875–1942From ‘The Blood Book’
(c.1850–1860)John Bingley Garland
England. Canada. 1791–1875From Bill the Minder
(1912)W. Heath Robinson
England. 1872–1944From Geometria et Perspectiva
(1567)Lorenz Stoer
Germany. 1537–1621From Tōaidō meisho fūkei
(1863)Kawanabe Kyōsai
Japan. 1831–1889Geese in flight
(1900–1930)Ohara Koson
Japan. 1877–1945Giraffe, from Die Skelete der Wiederkäuer
(1823)Edouard Joseph d’Alton
Italy. Germany. 1772–1840Girl Holding A Snake – Innocence
(1900)Karl Wilhelm Diefenbach
Germany. 1851–1913Glass Balls
(1944)Theodor Barth
Switzerland. 1875–1949Hell Courtesan
(1871–89)Kawanabe Kyōsai
Japan. 1831–1889Het uilenbord / Jeu de la chouette
(c.1833)Brepols & Dierckx Zoon
1833–1911Histioteuthis Bonelliana
(1851)Jean Baptiste Vérany
France. 1800–1865I had all the twelve new born will o the wisps in my lap
(1900)Hans Tegner
Denmark. 1853–1932Illustration for La guerre des mondes
(1906)Henrique Alvim Corrêa
Brazil. 1876–1910Italians, help the Red Cross in tuberculosis care
(c.1920)Basilio Cascella
Italy. 1860–1950Image © Wellcome Collection, CC BY
Les enfers (‘Hell’)
(1622)François de Nomé (and possibly Jacob van Swanenburgh) as Monsù Desiderio
Italy. France. 1593–after 1620London, a pilgrimage
(1872)Gustave Doré (with Blanchard Jerrold)
France. 1832–1883Model Making Mischief
(c.1885)Raimundo de Madrazo y Garreta
Spain. 1841–1920Mollusca IV
(1885–1890)Frederick McCoy
Ireland. Australia. 1817–1899Mr. Moto’s Gamble
(1938)Eric Rohman
Sweden. 1891–1949Multi-Tennis
(c.1920)W. Heath Robinson
England. 1872–1944Muscinae, from Kunstformen der Natur
(1904)Ernst Haeckel
Germany. 1834–1919Nervous System: The Structure of Man
(1898)Alesha Sivartha
USA. 1834–1915No Walk Today
Sophie Anderson
England. France. 1823–1903Northern Lights over [Roald Amundsen’s ship] Maud
(c.1918–1925)Northern Lights. Study from North Norway
(c.1901)Anna Boberg
Sweden. 1864–1935Nürnberger Bagdette, from Illustriertes Prachtwerk sämtlicher Tauben-rassen
(1906)Emil Schachtzabel
Germany. 1850–1941Optics: a soap bubble exhibiting interference colours
(1883)Blaise-Alexandre Desgoffe
France. 1830–1901Pegged Out
(c.1897)John George Brown
England. USA. 1831–1913Pio Nono prayer books
(1874)Thomas Kelly
USA.Plate 10 from The Rocket Book
(1912)Peter Newell
USA. 1862–1924Plate 2 from East of the sun and west of the moon
(1922)Kay Nielsen
Denmark. 1886–1957Plate 31 from An original Theory or new Hypothesis of the Universe …
(1750)Thomas Wright
England. 1711–1786Portrait of an Old Man
Fyodor Bronnikov
Russia. Italy. 1827–1902Reading aloud from the spelling book
Karl Josef Müller
Germany. 1865–1942Résurrection de la Censure (resurrection of censorship)
(1832)J. J. Grandville
France. 1803–1847Satire on False Perspective
(1754)William Hogarth
England. 1697–1764Scientific American
(1905)C. McKnight-Smith
USA.Self-portrait with Her Daughter, Julie (Jeanne Julie Louise)
(1786)Elisabeth Louise Vigée Le Brun
France. 1755–1842Self-Portrait, Yawning
(1783)Joseph Ducreux
France. 1735–1802Shiva as Lord of the Universe in Benares
(c.1880–1900)Kashi Vishvanatha Temple
India.Stańczyk faking a toothache
(1856)Jan Matejko
Poland. 1838–1893Still Life With Fish
(1878)Carl Bloch
Denmark. 1834–1890Stringing Pearls
(1882)Theodoros Ralli
Greece. 1852–1909The Dinkey-Bird
(1904)Maxfield Parrish
USA. 1870–1966The Girl I Left Behind Me
(c.1872)Eastman Johnson
USA. 1824–1906The land of counterpane
(1906)Jessie Willcox Smith
USA. 1863–1935The Mermaid, from Stories from Hans Andersen
(1911)Edmund Dulac
France. England. 1882–1953The retired farmers
(1888)Gustav Wentzel
Norway. 1859–1927The Sudarium of Saint Veronica
(1649)Claude Mellan
France. 1598–1688They walked side by side during the rest of the evening, from Old French Fairytales
(1920)Virginia Frances Sterrett
USA. 1900–1931Thoracostraca, from Kunstformen der Natur
(1904)Ernst Haeckel
Germany. 1834–1919Toilette du matin
(1904)Léon Frédéric
Belgium. 1856–1940Trollet som grunner på hvor gammelt det er (The troll ponders how old it is)
(1905)Theodor Kittelsen
Norway. 1857–1914Une promenade dans le ciel
(1847)J. J. Grandville
France. 1803–1847Vermouth Martini
(1920)Leonetto Cappiello
Italy. 1875–1942Wild Pansy and Artichoke
(1561–1596)Joris Hoefnagel
Belgium. 1542–1600Yachigusa (kimono patterns), no. 412
(1901)Ueno Seikō
Japan.Yachigusa (kimono patterns), no. 8344
(1901)Ueno Seikō
Japan.Bold Speculator
You may discard cards from your gallery or auction and draw that many cards from the talent pile.
‘Portrait of an Art Connoisseur’ by Léon Herbo (Belgian, 1850–1907)
Curious Appraiser
Choose a player. They reveal all their cards to you.
‘At the Art Dealer’ (1873) by Jean-Baptiste Madou (Belgian, 1796–1877)
Fair-minded Thief
Each player takes a card from the opposite player’s auction. (If you’re playing with an odd number of players, take from the player to the right of the gap opposite you.)
‘Fujiwara no Tadamichi’ (1845–1848) by Utagawa Kuniyoshi (Japanese, 1798–1861)
Fervent Historian
Shuffle the discard pile into the talent pile. Starting with you, each player draws a card.
‘The Collector of Prints’ (1866) by Edgar Degas (French, 1834–1917)
Fierce Critic
Choose an artist, country, or theme. All matching cards in all auctions go into the discard pile. Fill their spaces from the talent pile.
‘Die Kunstausstellung in Wien’ (1829–1848) by Andreas Geiger (Austrian, 1773–1856) and Johann Christian Schoeller (German, 1782–1851)
Gifted Teacher
Draw two cards from the talent pile. Each other player draws one.
‘Homage to art and the muse’ (1910) by Jacek Malczewski (Polish, 1854–1929)
Naughty Monkey
Switch one card in each auction with one in another auction.
‘Monkeys as Judges of Art’ (1889) by Gabriel von Max (Austrian, 1840–1915)
Persuasive Agent
Put any art card from the discard pile into your gallery.
‘The Collector Of Pictures At The Time Of Augustus’ (1867) by Lawrence Alma-Tadema (English, 1836–1912)
Sweet Dealer
You and another player may reveal and trade cards in your gallery or auction, or sell them to each other for coins.
‘A Dealer in Artefacts’ (1887) by Ludwig Deutsch (Austrian, 1855–1935)
Talented Scout
Show everyone the top five cards in the talent pile. Put one into your gallery, and the rest into the discard pile.
‘Mary Cassatt at the Louvre; The Paintings Gallery’ (1879–80) by Edgar Degas (French, 1834–1917)
The winner is the player with the most valuable collection at the end of the game.
A collection is a set of cards in your gallery that share a theme.
Each art card has three themes along the bottom. Beside each theme is its rarity in points. The rarer the theme, the more points it’s worth. The total value of an art card is the number in its bottom right corner – the sum of its themes’ points.
As the game goes on, you will collect cards. You’ll keep up to five in your gallery, and up to five in your auction.
Don’t show your gallery to the other players during the game.
Cards you put in your auction will go onto the table in front of you, facing the other players.
Each player’s turn has three steps: collect cards, send cards to auction, then reveal or pass.
Collect cards.
To collect cards, you may draw a card from the talent pile or bid for a card in anyone else’s auction. You can’t ever bid for cards in your own auction.
Whoever’s auction that card is in becomes the auctioneer. You bid in coins. In turn order, other players (except the auctioneer) can also bid for that same card by offering more coins than the last bid. The highest bidder pays their coins to the auctioneer, and puts the card into their gallery.
Remember that it can be as important to stop someone from buying a card they need as it is to buy the card you need. You will have to choose wisely when to use your coins!
If the talent pile is ever empty, turn the discard pile face-down, shuffle it, and it becomes the new talent pile.
Send to auction.
You may move cards between your gallery and your auction. This is your only chance to decide which of your cards to put in your auction, and which to keep in your gallery.
You can have up to five cards in your gallery, and up to five in your auction. Put the extras in the discard pile.
If you would discard a character card this way, instead shuffle it into the top seven cards of the talent pile, without looking at the cards in the talent pile.
Reveal or pass.
If all five cards in your gallery have a single theme in common, you may reveal your collection to everyone! Or you can choose to keep that a secret, and try to improve your collection until a future turn.
If you do choose to reveal your collection, the game is over, and it’s time to see who won!
If you didn’t, pass the turn to the player on your left.
When someone reveals a five-card collection, the game is over and it’s time to determine the winner!
Each player reveals their gallery, and chooses a collection of cards in it that share a single theme.
If a player has only, say, three cards that share a theme, they’ll choose those three.
Then, for each player, add up the total points for their collection – the number in the bottom right of each card.
They don’t have to choose their biggest collection. They might choose a smaller collection that’s more valuable. For example, if you have four ‘Animal’ cards that total 40 points, and three ‘Hat’ cards that total 50 points, you can choose the ‘Hat’ collection, to get a final score of 50 points.
The winner is the player with the most points for their chosen collection.
If you’re the only player with a five-card collection, there’s a very good chance that you win, because you’re getting points for all five cards. But it is possible that someone with fewer matching cards still has a more valuable collection, and they win instead! So it’s always a difficult choice whether to reveal your collection, or to keep playing so that you can make it more valuable.
Character cards are not art cards. They are people in the art world. Character cards can’t be in a collection, but you can keep them in your gallery, and they can be in auctions where you bid for them. When you bid for a character card, you’re hiring them to work for you.
When you play a character card, read it to everyone, then do what it says on the card. Then, it does not go to the discard pile. Instead, shuffle it into the top seven cards of the talent pile, without looking at the cards in the talent pile.
You can play character cards after any step, before the next step starts – even during someone else’s turn. For example, you can play a character card after someone puts cards up for auction, or before someone bids, but not during an auction while players are bidding.
If more than one character is played at the same time, their effects happen in turn order. If one player plays two or more characters at the same time, that player chooses the order of their effects.
For a two-player game, set up an extra auction, as if there was a third player – a phantom auctioneer who doesn’t take turns or have a gallery. Either player may bid for cards in that auction, and the other can bid against them.
Put three cards in that auction, and every time a card leaves that auction, fill the gap from the talent pile, so that there are always three cards there.
The highest bidder pays their coins to the phantom auctioneer. So, unlike in a multiplayer game, those coins don’t go to another player.
To earn coins back from the phantom auctioneer, before your bidding step on your turn, you may discard cards from your gallery or auction and then take one of their coins for each card you discarded.
The art on most of the cards is in the public domain, usually because it’s old. And look how beautiful and fun and surprising it is! Finding all the art was a wonderful journey.
You’ll see each artwork’s title and creator (or a similar note) at the bottom of the card.
I’m grateful to many wonderful sources, where I found art or inspiration or background information.
And many others I couldn’t note as I toured the work of art lovers everywhere.
I’m Arthur. I created Collectible to be a game that my friends and family, including my young son, would enjoy playing together. In a great family game, anyone can win, and your fun depends on the spirit of play, not just whether you win. And it should take as long as you want it to take. You can play Collectible for twenty minutes, or you can spend hours crafting your galleries.
I also love searching through public-domain artworks for gems: sometimes wonderful, sometimes horrifying, and often surprising. The cards here are many of my favourites.
I’m still prototyping and play-testing Collectible. If you’d like to get in touch about it, email me.
Also, see my other games and game pieces at The League of Masks.